Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | The Raising of Lazarus | Lucretia | David-s Farewell to Jonathan | Tobit Accuses Anna of Stealing the Kid | Artemisia |
Related Artists:
George Henry Durrie
American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,
PERUGINO, Pietro
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
CARRACCI, Antonio
Italian Baroque Era Painter, ca.1583-1618 Painter, son of Agostino Carracci. He was born either c. 1583 (Baglione) or in 1589 (Bellori). His mother was a Venetian courtesan named Isabella. After his father's death, he joined the Roman household of his uncle Annibale Carracci. While Antonio may have collaborated with other studio assistants on the wall frescoes (1603-4) of the Galleria Farnese and the decoration (1606; commissioned from Francesco Albani) of some rooms in the Palazzo Mattei di Giove, Rome, his earliest undisputed works date from after Annibale's death in 1609. At that time, according to Monsignor G. B. Agucchi (Malvasia), Antonio returned briefly to Bologna, with the intention of joining Ludovico Carracci's studio, but the proposed collaboration came to nothing. A frescoed Vision of St Francis in the lower oratory of S Colombano was most probably painted during this Bolognese sojourn, and his Burial of Christ (Rome, Gal. Borghese) dates from c. 1609. He returned to Rome in 1610 and assisted Guido Reni in the Pauline Chapel of the Palazzo del Quirinale, where he painted Virtues and other subsidiary figures on the walls.